Wednesday 31 August 2011

Living Light, living green


We were approached by CBRE’s Architecture and Design division to come up with an innovative concept for their new headquarters in Henrietta Place, London. As part of the brief, we included an interpretation of their early stage brand phrase, ‘living green.’ This phrase became a trigger for one of our concepts, which was to make the building as a whole feel like a sensory experience with the integration of innovative lighting, sculptural and audio visual applications, as though the building itself was alive (living green).

On the ground floor, one of the principal innovative lighting features was the installation of an art-based structure (utilising Philips iColour tiles technology), which allowed abstract, large format video to be displayed within a sculptural lighting installation. These were housed in the reception area and became a real talking point with visitors due to their abstract, almost hypnotic quality and were one of the first of their kind to be installed anywhere in the UK. You can see a short video of them in action here:



This is also now featured on the Philips Lighting Youtube channel.

From a textural/sculptural aspect we created a wave graphic that was applied to interior windows and interpreted around the wall surfaces. We used large format three dimensional tiles that reinforced the ‘living’ concept as well as adding an element of boutique style and sophistication. The tiles were carried through the ground floor break out area, working in tandem with LED floor lighting. This enabled the whole wall to change colour so that CBRE could change the mood of the area from a cool business environment to one suited to client entertainment, when the area took on a more exclusive bar-like quality.

We also proposed installing a large format LED display for the lower ground floor CBar area (4metres x 2.5 metres). The flexibility of this technology would enable CBRE to either create the effect of an abstract moving wall of light or again change the mood to display cinema sized film or video for entertaining staff or clients. In the interim, CBRE has installed a projector, housed in the ceiling, which acts in the same way but without the luminosity and visual impact of the LED mesh.

Throughout the six month project we were also involved in a consultancy and project management role, advising on other aspects of the interior, from signage and wayfinding to colour coding and imagery.

The finished building provides a stylish, innovative and modern corporate headquarters that not only reflects the gravitas that one would expect from one of the world’s largest global real estate organisations, but the inventiveness, energy and dynamism of the CBRE brand and its employees.

update: Estates Gazette has a video feature on the new space, watch it here: http://bcove.me/8cdgst25

(click on any of the images above or below to view full size)


Engineering a graphic solution for EPSRC

We have just finished work on a challenging data visualisation project for the Engineering and Physical Sciences Research Council’s (EPSRC) website. The brief was to communicate where EPSRC - the UK government agency for funding research and training in engineering and physical sciences – allocates funding to its many research disciplines.

So how to communicate this in an innovative, aesthetic and accessible way? Sounds simple, doesn’t it? Believe us, it wasn’t!

EPSRC divides its research portfolio into a number of different challenge themes: Healthcare Technologies, Global Uncertainties, Digital Economy, Manufacturing the Future, Energy and Living with Environmental change and capability themes: – Engineering, ICT (Information and Communications Technologies), Physical Sciences and Mathematical Sciences. Our task was to visually represent these so that they are clear and easy to understand.

So far, so straightforward. However, given the nature of EPSRC, there is huge overlap within the different themes and within each central theme there are numerous individual research areas that interconnect with each other. Take Physical Sciences for instance. There are 28 research areas within the theme, (yes, we counted them), all of which connect with one or more of the other 27. Therefore, we needed to design something that showed clearly the overall research portfolio, the challenge and capability themes, and their related research areas whilst also representing them as individual entities.

An essential part of the project was to show the current funding for every research area and represent their relative funding over the next year.

There were a lot of numbers involved so we needed to find a way of simply representing these figures. After brainstorming a number of creative concepts, we opted for graphic maps. Our first task was to create a main overview map to show the challenge and capability themes.. Each of these then had its own graphic map, featuring circles representing each specific research area and interconnecting lines to link related areas together. The circle size represents the level of funding received up until April 2011, with the colour indicating whether the relative value of funding over the coming year is expected to grow, reduce, maintain or if it is still under review.

To make matters more complicated, we also had to ensure all the maps were accessible for visually impaired audiences – again, a core part of the brief. So we had to be creative whilst constrained by the limited choices in the visually impaired palette. We used yellow, pink, green and blue to represent funding status, along with white text on darker backgrounds and black text on the lighter colours.

Altogether, we created nine maps, all connected to the head diagram. It was our aim to create something that combined aesthetics with functionality and we are very proud of our efforts. And EPSRC felt that the resulting graphics helped to communicate the complexities of their portfolio.



(click the diagrams below to view full size)