Wednesday, 31 October 2012

Art works

When chartered surveyors Eddisons approached us to create office interior concepts for its client – a well-known global online media company – we knew it would be a great project, but a challenging one, and how right we were!

The concepts for the offices in Paris, Cairo and the company’s European headquarters in Switzerland included wall/glass manifestations, interior signage, wayfinding solutions and large format 3D art installations for the headquarters.

We opted for a different theme in each office that reflected its location. So, the Cairo office graphics featured famous Egyptian landmarks, whilst we explored a tongue-in-cheek take on influential French people from different walks of life including fashion, culture, literature and science for the Paris office.

We pulled out all the stops to create a number of modern 3D art installations for the Switzerland office that reflected the different areas in which the business operates, including finance, news, film and lifestyle. We used contrasting themes to create each installation, such as building a large dove with toy soldiers to represent peace and conflict for the news division.

News: peace and conflict

Lifestyle: glamour and comfort

Movies: good and evil


However, who knew sourcing around 1000 toy soldiers, miniature teddy bears and children’s flipflops would be so difficult? Oh well, we do like a challenge…






FiXing a website for CLS


website: www.cls-group.com

CLS, which plays a fundamental role in the Foreign Exchange (FX) market, approached us for help designing its new website. Although the company developed the actual website entirely in-house (using SharePoint) it needed an external agency to help with both the planning and design.

We helped CLS’ team to determine a full site plan and content structure and worked with them to create wireframes for three levels (homepage, level 1 and level 2) of the new site. Once approved, we then created the design visuals.

As the actual website is fairly large and content heavy, our design needed to focus on clarity and segregation of information. We used colour coding to highlight each section, which meant that any ‘boxed out’ information relating to a specific section would also be outlined in that particular colour.

While the overall design is clean and corporate, CLS wanted to inject more personality via the main banner images, so we tested a variety of different illustration styles to achieve the right balance of a corporate, technical look but with colour and personality.

We created the original wireframes, design visuals and the final HTML templates, which were then handed over to CLS’ internal team to develop the final site.





Apostrophe gate

When Waterstones announced its decision to drop the apostrophe from its brand name, who would have thought such an innocent little punctuation mark could cause such a hullabaloo?

Along with the expected Disgusted from Tunbridge Wells letters bemoaning the slipping of today’s grammatical standards and prophesising the beginning of the end, there were many who came out in support of it. And many of those were from the design and creative industries.

That’s because apostrophes can cause all manner of problems for those of us within the industry ­– graphically, typographically and linguistically ­– and let’s face it, we all know that we like to make up our own rules. In the world of branding there aren’t really any grammatical rules, after all, brand names don’t have to be real words, but they do have to be memorable, distinctive and ownable.

So, when using apostrophes possessively, brands fall into two camps of those who do, such as Sainsbury’s and Levi’s and those who don’t, including Boots, Barclays and now Waterstones.

Now, I have to admit I was sad to see the apostrophe disappear from Waterstones, both from a historic point of view as I’ve grown up with Waterstone’s and from a grammatical point of view as the misuse of apostrophes does send me a little loopy, but I do understand Waterstones’ decision. If it had kept the apostrophe, should this have been Waterstone’s’ decision? Now, that just looks messy but if you opt for Waterstone’s decision in this instance, are you meaning the founder or the company? See the problem? This must have caused endless discussion for Waterstones’ branding and comms teams!

Today, Waterstones is no longer a single bookshop belonging to Tim Waterstone and is a well known brand name in its own right, and then of course there’s the problem of apostrophes in web addresses, emails and Twitter accounts. After all, if companies want their brand name to resemble their URL, all punctuation must go. So, the decision was probably made for a number of reasons, including design and usability, and it’s also a good example of our evolving language. But does this mean we can live in an apostrophe free world?

Well, no. If this typographic tadpole disappeared from use, I guarantee we’d all struggle (for example, that last sentence would have the word ‘wed’ in it) to decipher the right meaning straight away. So, let’s for a moment take a look at the apostrophe’s raison d’etre, which is to show omission or possession.

But this isn’t always as easy as it sounds. When people aren’t quite sure where to use apostrophes, they opt for the scattergun approach, dropping in this innocent little symbol every time the letter ‘s’ ends a word, for plurals, possessives and contractions alike – we’ve all seen the infamous grocer’s apostrophe in apple’s and potatoe’s. 

Apostrophes showing omission generally don’t tend to send people into a tizz (well, aside from some of those selling fruit and veg) but those showing possession often confuse and confound, especially when the name or noun ends in –s.

So, here’s a very quick guide for those who feel they need a helping hand (and for those of you who don’t, simply skip to the end to see some great examples of apostrophe use gone horribly wrong).

With personal names that end in –s, add an apostrophe plus another s when you naturally pronounce an extra s if you said the word out loud: Dickens’s novels are still popular or Charles’s brother has joined the army.

However, this one is a bit tricky as whether you need the additional s is a matter of style rather than grammar, and even the experts don’t seem to agree (typical!). So, it’s best to be guided by clarity and ease of pronunciation here. The main thing to remember is to be consistent, pick one and stick to it.

This really does highlight the importance of having brand guidelines or a style guide for your business, as it helps provide uniformity in copy and style across all touchpoints and audiences (and it means you don’t have to worry about which one is correct).

With personal names that end in –s but aren’t spoken with an extra s, just add an apostrophe after the –s: The court dismissed Bridges’ appeal

Plural nouns that end in –s

When a plural noun already ends in -s: add an apostrophe after the s: The mansion was converted into a girls’ school.

Plural nouns that do not end in -s

When a plural noun doesn’t end in –s: add an apostrophe plus s: The children’s father came round to see me.

Other useful info

You don’t need to use apostrophes to form plurals or abbreviations such as PDFs, nor to indicate decades. We all know that the 1980s (or ’80s when abbreviated) was a terrible decade for hair, but a great one for cheesy tunes.

It’s vs its

This one deserves a little section all to itself, as it often throws a spanner in the works:

it’s – showing omission: ‘it is’ or’ it has’

its - to show possession: ‘the dog wagged its tail’

And finally

Ok, school’s now out and for your entertainment we’ve included some of our favourite examples of the grocer’s apostrophe below. Why not join in the good fight for the apostrophe and send us your own examples or any misspellings you’ve seen that are just too good to be true?















From print to pads


Following a creds presentation to Bechtel, the engineering, procurement and construction specialist, we’ve created an interactive iPad presentation of one of its existing printed marketing pieces to help improve its client presentations and better showcase its services to potential clients.

Creating an interactive PDF for the iPad is one of the simplest, yet most effective ways of creating a digital version of printed material. It’s quicker and more cost effective than creating a custom app and it can be used on other devices. The simple interactivity takes advantage of the iPad screen and touch interface, including ‘pinch to zoom’ on more complex items such as diagrams and plans. And of course, once it’s on the iPad, you don’t need a live Internet connection, so you can always rely on it at meetings/presentations even if there’s no wifi available.

The iPad presentation enabled Bechtel’s marketing department to see how new technology can improve its marketing collateral and was so well received that we’ve been recommended as a preferred design partner.

And talking of new technologies, we’re always exploring ways in which we can help our clients and we’ve recently discovered a neat little device which embeds LCD video screens into print.

Now, whilst some might well think of this as just a gimmick, it’s probably the lowest cost solution that combines screen and print and requires nothing of the end user (no Internet links, USB drives, CDs etc.). It works as soon as it’s opened, making it one of the most direct and guaranteed ways to get your video content, and message, across.

As there are loud speakers built in for audio or spoken content it’s a great way to feature ‘talking head’ discussions, Vox-pops, interviews, a corporate showreel or animation content.

Using video or animation is a great way of getting across your key message clearly, simply and quickly. If you don’t have this content, or need a hand to improve it, let us know and we can help you with the planning, design, filming or animation to create an engaging video.