Tuesday 28 February 2012

Where the past meets the present




www.palazzodorottya.com

Back in July last year we featured a short story on our e-news about the branding and marketing tools – website, iPad tool and sales literature – we were creating for Palazzo Dorottya, a luxury residential and commercial building in the heart of Budapest.

After a lot of hard work (and unfortunately, only the one trip out to Budapest) the project is now complete, and we, not to mention, Richardsons Capital LLP and Fingen, the joint developers and property owners, are thrilled with the results. This has been a great project to flex both our digital and creative muscles and it's a great one to add to both our digital and property portfolio.

A grand, historic 19th century building, Palazzo Dorottya has been transformed into a premium six storey mixed use development, combining 87 apartments with commercial and retail space.

We wanted to communicate that Palazzo Dorottya is a sophisticated destination for living, working and entertaining, whilst conveying harmony between classic and modern. We created the strapline ‘where the past meets the present’ and developed the logo, giving it a typographic treatment by using two fonts to reinforce the juxtaposition of old and new.

This combination of past and present was also reflected in the marketing materials we developed. The innovative website includes a homepage featuring scaling and full screen images, a distinctive image gallery, along with a custom designed interactive map of the area. Individual floorplans are available as both zoomable images and downloadable PDFs. The site has also been optimised to work well on smart phones or tablets and is easy for the sales team in Budapest to update.

Alongside this, we developed an iPad tool to help facilitate sales. There were several issues to overcome when creating this as it needed to be fairly quick to develop with no constant bug-testing or waiting on App Store approval. It also needed to be relatively simple to keep up-to-date and easy to use.

As iPad Apps and CMS are expensive and time consuming to create, we came up with an innovative, cost effective tool (essentially a supercharged interactive PDF). This enables the sales force to show potential clients all the relevant property information if there is no Wi-Fi connection, and allows them to access the website to show real time availability and pricing when an internet connection is available.

If you'd like to find out more about the various solutions we can create for you regarding Apps or presentations on the iPad (or other tablets) - talk to our Head of Digital, Ben Jackson to find out more.


To complement the website and iPad tool, we created a luxury wallet, informative brochure, and floorplan inserts for each of the 87 apartments. We specified a high quality digital print solution for these inserts, which enabled the client to call off shorter runs, printing floorplans only when needed to tailor presentations for specific client needs, as well as reducing the environmental impact associated with printing.

Constructing a brand

One of the UK’s top project management and construction companies, Warwick Avenue, asked us to refresh its current identity to reflect the next stage of its development.

The company has expanded from its core business of project management to provide highly integrated services covering the full property and construction life cycle, across Europe and the Middle East, and needed its identity to reflect the breadth of its services as well as conveying experience and professionalism.

We put together a number of creative concepts, looking at the possibility of retaining the existing cross device as well as a number of completely different routes. We also considered ways of reflecting the construction industry within the logo itself.

The chosen route retains the cross device, but replaces the flat red colour with two shades of orange to give it more depth and energy. The orange provides an interesting juxtaposition against the grey of ‘Warwick Avenue’ whilst the ‘L’ of each side of the cross shape not only implies a positive working relationship between Warwick Avenue and its clients but also alludes to the idea of walls and rooms.

The addition of a strapline ‘Projects and Construction’ completes the logo and conveys Warwick Avenue’s sector and experience to potential customers.

We are also redesigning the website, producing a corporate brochure, a range of stationery and PowerPoint templates for Warwick Avenue, all of which are currently in progress. Once complete. these will feature in a forthcoming e-news story, so watch this space.

Finally, Warwick Avenue found us through a Google search, having looked for digital agencies located in SE1, so it’s a nice example to show that our SEO is working. If you want to find out more about SEO and how we can help you to stand out then please contact Ben Jackson, our head of digital.

As easy as PIE

the new PIE identity

PIE is a specialist mapping data and routing business, supplying industry-leading mapping and routing products for local authorities and freight operators. It also provides up-to-the-minute mapping datasets and downloads for freight routing and software manufacturers.

PIE has developed the data for the new TFL Freight Journey Planner for the Olympics (due to go live in March) and saw this as an ideal opportunity to promote the service and related products more widely.

Originally, PIE approached us to develop the naming and logo for this service, however, the project quickly developed into a full brand evaluation of the group. The existing logo lacked dynamism, was overly complex and was used inconsistently across the various sub brands both in print and digital applications.

original PIE identity

Having undertaken an audit of the brand hierarchy and business structure, we recommended that all of the businesses were brought under one comprehensive brand identity and developed a clear structure for the company.

The PIE company structure

Furthermore, we advised dropping the original and longer full name, Public Information Exchange and wholly adapting the recognised short version - PIE. Dropping ‘Public Information Exchange’ removed the impression that PIE was a public sector organisation, whilst the new strapline ‘the source of insightful mapping’ clearly conveys PIE’s offering to existing and potential customers.
We came up with a number of ideas for the logo, that ranged from corporate to quirky, before deciding on a logo that was an evolution from the existing brand look and feel, but more representative of the service offer. We used a location peg as a recognisable icon in a bold purple, whilst the diagonal text of PIE added intrigue and an element of quirkiness.


We also produced simple brand guidelines, which along with a rationale and diagram of the four core services, have helped bring some much needed coherence to the brand.

page from the PIE identity guidelines

Having established the new identity, we’re now in the process of designing the look and feel for the website and microsites which, once complete, will feature in a forthcoming blog, so watch this space.

Monday 27 February 2012

Size does matter

Last month’s proof marks guide proved very popular, so hopefully this month’s guide to paper sizes, scaling and usage will be just as helpful.

Almost everyone is familiar with the standard A4, A3 etc sizes of paper (well, except for North America which is resolutely sticking to imperial measurements).

This ISO A series of paper uses the metric system, with all sizes based on a height-to-width ratio of the square root of 2, where the base format is A0, a sheet of paper measuring 1m² in area. Successive paper sizes in the series A1, A2, A3, A4, A5, A6, A7 and A8, are all half the size of the preceding paper size.

Unsurprisingly, the most frequently used paper size is A4 (210 × 297 mm). The B and C series are far less common than the A, with B slightly larger than A and mainly used for posters and books, whilst the C series is generally used for envelopes and folders.

A series usage:
    • A3: typically used for drawings, diagrams and large tables.
    • A4: usually used for general and business stationery, brochures, booklets etc.
    • A5: commonly used for smaller items such as leaflets/flyers etc.
    • A6: international postcard size.
    • A7: labels etc.
    • A8: business cards
    Download our handy paper size guide here (PDF)